Thursday Sep 03, 2026
In a keep-my-hand-in kind of way I tried using charcoal (vine but mostly willow) on A2 cold-pressed watercolour paper (aka ‘NOT’)–the woman who sold it to me at Cass Art in Liverpool was impressed (and maybe a bit intimidated?) that I was going to fill the pages with watercolour, not realising my cunning plan was with the black stuff…
Anyway, swapping smooth cartridge for this textured paper ‘the Lord giveth and the Lord taketh away’. The blacks are/were sumptuous but much harder to erase back to nothing–paper towel, putty rubber, plastic eraser only got as far as pale grey. (Especially important for the first one, which was sketched by eye–in charcoal, no measurement, no grid–and definitely a bit off = needed a few course corrections.)
For the second one I (half-heartedly) measured the eyes and a couple of other bits with a ruler, but somehow achieved a likeness, especially after I moved an eye up!
And for the final two, I tried something completely different: a simple (very approximate) transfer : I drew a few guidelines in Procreate, exported these lines into a jpeg and pasted into an A2 Affinity Publisher page. I then printed these really simple lines as four tiled A4 pages and then used a bit of charcoal on some sugar paper and traced the lines right way round (really simple, and just eye width, nose, lips and ears).
Anyway, nothing like as suffocating as grid, and worked reasonably well, and here they are.
Monday Mar 23, 2026
In a further exploration on the other side of the looking glass I’ve been using the iPad Pencil more like an actual pencil (with a bit of ‘charcoal’ and ‘ink’ thrown in with the ‘HB’ setting, too)–it’s deeply weird to be able to draw so quickly …and for it to look really quite analogue, too
Sunday Jul 06, 2025
I’ve just taken a little exploration back to the other side of the looking glass, after being curious to see some of the new-fangled tools back in the ‘digital’ world: iPad, iPad Pencil Pro and Procreate.
Wednesday Feb 26, 2025
This was ostensibly a collection of his early work at the Ashmolean in Oxford. However, it was the big, literally heavy metal ‘paintings’ which really grabbed me, and I’ve been thinking about metal ever since…
Monday Feb 10, 2025
Listening to Mathew Syed’s Radio 4 Sideways show about the passage of time and inevitable decay got me thinking about (amongst other things) my ‘fondness’ for the pastoral ruins of paintings by Claude. Obviously, there’s the incredible light and the ‘pastoral’ nature–these aren’t untamed wildernesses, and people never feel too far away. Instead, there’s a lovely sensation of nature being close, and of the possibility of things reverting to a more natural state if simply ‘left’, wood and stone, rather than plastic and concrete.
Monday Sep 30, 2024
I was thinking about what best to seal a collage with… Specifically, I was wondering about an acrylic on canvas + collage (paper stuck with PVA)—and if Mod Podge still my best bet to seal as a top layer?
Tuesday May 21, 2024
There was/is quite an eclectic mix at The Higgins in Bedford, but the thing which stayed with me after this particular visit was a reproduction of A Portrait of the Artist as Shadow of His Former Self by Kerry James Marshall
Monday Apr 08, 2024
Although I could give this the alternative title of Pictures of People I’m Reading Stuff By. It was quite a thing to realise that some great writers actually discover what they’re thinking and what they know by doing
Saturday Feb 10, 2024
Good old trusty pencil…
Saturday Nov 18, 2023
I have been quite taken with Queen Eleanor in Stony Stratford for years (and it wasn’t too hard to track down the artist Luke aka Chiba Creative).